Digital Video (4 credit hours) Spring 2003

ENTC4957/5957-001 Digital Media Center, Rm. #195

Instructor: Primus Tillman

Instructor contact: E-mail: tillman@mail.etsu.edu; 423.979-3154

Office hours: TBA: you are encouraged to meet with me to discuss your projects.

 

Course Description

Study covers file-based digital video basics including compositing and a limited overview of the motion production process. This overview covers pre-production, storyboarding, audio/video capture, editing of raw content into multi-layered final products, post-production processing of audio/video files for various delivery scenarios and a review of historical motion picture production compared with impact of recent technology innovations on the production process.

 

Course Purpose

This course is designed to introduce students to the steps in the production process that occur just before and just after the animation, modeling and rendering process. As such, the course covers pre-production digital video design (storyboarding) and creation (capture), multi-layer audio/video compositing (editing) and preparation of digital movies files in various formats (delivery).

 

Technical emphasis is placed on compositing, multi-layer editing and delivery file processes for DVD, web and other interactive media, embedded scene triggering for inclusion in hypermedia. The primary software for this class will be Adobe After Effects, Premiere and SofTV’s Author tool.

 

Creative thinking and problem solving will be emphasized in the major projects. Students will be expected to adhere to project deadlines and to participate in critiques in order to learn to critically evaluate their work and their fellow student’s work.

 

Course Objectives

Upon successful completion of the course, students will:

• Understand digital video’s role in the production process, including compositing and multi-layer editing to enhance the finished product

• Understand digital video’s role in the delivery process, including various digital video file formats and their specific applications

• Understand the basic theories of digital compositing, editing and delivery models and be able to apply these techniques to actual productions.

• Be familiar with terminology related to the traditional motion picture production process, including new terminology for digital video and digital compositing

• Gain experience with digital video compositing, multilayer editing and delivery file preparation, including critique of own work and work of others

• Gain awareness of the diverse opportunities available within the digital video profession through completion of various projects.

 

 

Texts & Materials

Required

• Text: Adobe Premier 6.5 Bible ,

• Text: Creating Motion Graphics with After Effects (With CD-ROM)

by , Sept 2, 2003

• Materials:  DVD-R discs

• Materials: Firewire hard drive (at least 20GB / 7200RPM)

• Materials: Mini-DV camera and two mini-DV tapes

Additional Resources

• The Art and Science of Digital Compositing ISBN: 0121339602

• The Digital Filmmaking Handbook ,

• Digital Lighting &: Rendering ,  (Editor)

• The 5 C’s of Cinematography

• by Doug Kelly

• Communication Arts Magazine (available in the library)

• - art exhibitions at SIGGRAPH

• - great tutorials, tips, techniques

• - great DV and film information place

• – great starting point for delivery file formats

 

Grading Scale

A = 93-100, A- = 90-92 D+ = 67-69, D = 63-66, D- = 60-62

B+ = 87-89, B = 83-86, B- = 80-82 F = below 60

C+ = 77-79, C = 73-76, C- = 70-72

 

A = Exceptional work: conceptually appropriate, demonstrates precise execution and strong creative thought, follows instructions and turns assignments in on time.

B = Work executed with few errors, conceptually appropriate, demonstrates good creative thought, and turned in on time.

C = Average work, meets minimum requirements.

D = Below average work, sloppy, instructions not followed.

F = Failed to meet minimum requirements of the assignment.

 

Grading Breakdown (Subject to change if assignment schedule changes.)

• Final exam = 10% of grade

• Quizzes = 15%

• Assignments = 60% of grade

• Mini-Assignments/Homework/Participation = 15% of grade

 

 

 

 

 

 

Assignments

There will be 4 major projects and several mini-assignments. The projects will be graded and weighted according to their complexity.

 

Quizzes and Final Exam

There will be quizzes. The final exam is comprehensive. Make-up quizzes/exam will be given only at the discretion of the instructor and only for excused absences.

 

Attendance and Course Participation

4 absences, including excused and unexcused absences, will result in an automatic F. No exceptions. In addition, every two unexcused absences will result in a letter grade reduction. Absences will only be excused with prior notification and/or documentation.

 

It is important to attend every class. Students are expected to participate in all critiques and active participation in critiques will positively affect borderline grades. Much of the required instruction will be in lectures and demonstrations and will not be found in your books or handouts. If you miss a class, you - not the instructor - are responsible for making sure you get any material you miss. Get with another student to go over the material covered in your absence, or make an appointment with your instructor.

Deadlines

Project deadlines will be strictly adhered to and work must be completed and ready to present before class on critique days. There will be score penalties on any work not completed and turned in by the deadline. If a project is late without an excused absence, the highest grade that will be given is an “89.” Any project turned in later than 1 week from the due date will be given a “0.”

 

Lost digital files will not be accepted as an excuse for missing or late assignments. You are responsible for keeping back-up copies of all of your assignments until you have received a grade for those assignments.

Class Policies

• Cheating will result in a 0 for the test/assignment and possible removal from class. This includes plagiarism and copyright infringement. Use of material created by someone other than yourself must be used only in accordance with classroom assignment parameters and must meet copyright parameters

• Computers located in the labs are for educational purposes only; no net surfing, e-mail or messaging during class unless necessary for project

• No disruptive behavior; leave cell phones on vibrate and use only for emergency

• Students not enrolled in class may not use lab without instructor permission

 

Special Accommodations

Students with disabilities should contact Disability Services to arrange for any special accommodations that may be required. Please notify your instructor after contacting DS.

 

 

 

Academic Misconduct

ETSU Policy No. 3.13, October 1, 1979

"All students in attendance at East Tennessee State University are expected to be honorable. ... Academic misconduct will be subject to disciplinary action. Any act of dishonesty in academic work constitutes academic misconduct. This includes plagiarism, the changing or falsifying of any academic documents or materials, cheating, and the giving or receiving of unauthorized aid in test, examinations, or other assigned school work. Penalties for academic misconduct will vary with the seriousness of the offense and may include, but are not limited to: a grade of "F" on the work in question, a grade of "F" for the course, reprimand, probation, suspension, and expulsion. For a second academic offense the penalty is permanent expulsion."

 

General Outline of Topics

 

(Subject to change. If there is time, we will add a few more things to the schedule)

 

Weeks 1-3: Syllabus, class concept

Introduction to Digital Video and concept development.

Introduction to lighting.

Analog vs digital lighting

In class Assignment # 1and 2 due date critique TBA

After Effects

 

Weeks 4-6: Introduction to Digital Compositing pipeline.

The Team

Basic Compositing

Concepts

Inputs

Out Puts.

In class Assignment # 3, 4and 5

 

Project #1: due date critique TBA

• Design and animate a finished composition.

• Assignment will be graded on Design, difficulty of project creation, application mastery.

 

Presentation Output formats:

• Streaming Media within a Web Design.

• Analog (mini DV tape and VHS).

• Digitally

 

Weeks 7-9: Introduction to Digital Compositing and Digital Editing

Introduction to Editing

Projects

Cameras and Camera techniques

Video Clips Rough Cuts/ Speed

Weeks 7-9: Introduction to Digital Compositing and Digital Editing

Audio

Transistions/effects

Intermediate Compositing

Effects Masking

Time Shifting

Tracking and Moving object

In class Assignment # 6, 7and 8

 

Project #2: Due date critique TBA

• Design and animate a finished composition.

• Assignment will be graded on Design, difficulty of project creation, application mastery

 

Presentation Output formats:

• Streaming Media within a Web Design.

• Analog (mini DV tape and VHS).

• Digitally

 

Weeks 10-12: Introduction to Advance Digital Compositing and Digital Editing

Digital Editing

Superimpositing

Understanding Triming

Finishing Movie outputs

Digital Compositing

EFFECTS

In class Assignment # 9and 10

 

Project #3 Due date Critique TBA.

• Design and animate a finished composition.

• Assignment will be graded on Design, difficulty of project creation, application mastery

Design a composition using Photoshop.

Design three, one and one half minute movies (1:30.00) in Premiere.

Import all movies, files and compositions in After-Effects

Presentation Output formats:

• Analog (mini DV tape and VHS).

• Streaming Media within a Web Design.

• Digitally

 

Week 13 16: Final project. Delivery tools

• Streaming

• Multimedia

• Embedded triggers

• Wrapping it up

 

 

Due date and Critique TBA.

• Design and animate a finished composition, stream output with embedded triggers

• Assignment will be graded on Design, difficulty of project creation, application mastery

 

Final Presentation Output formats:

• Streaming Media within a Web Design.

• Digitally

Student Data Sheet and Syllabus Receipt Spring 2003

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Name: ______________________________________ ID#: _____________________

 

Address (incl. zip): ______________________________________________________

 

Work Phone: _____________ Home Phone: ______________ E-Mail______________

 

Emergency contact: _____________________________________________________

 

Do you have previous experience using Digital Video or Compositing (please be specific: work, classes, type of work).

______________________________________________________________________

 

______________________________________________________________________

 

o I have never used Premiere o I have never used AfterEffects

o I have used Premiere before. Which versions? o 6.6 o 6.0 o 5.1 o earlier

o I have used AfterEffects before. Which versions? o 5.5 o 5.0 o earlier

My working knowledge of Premiere 6 or 6.5 is: _________________________________

My working knowledge of After Effects 5.5 is: __________________________________

 

Are there any special requirements you need (students must notify Disability Services of any special accommodations that may be required) _____________________________

 

What interest do you have in the digital video (circle all that apply):

 

A course I have to get through Capture Compositing Editing Audio

Lighting Budgeting Delivery/Transmission Streaming Hypermedia

After graduation, what are you most interested in doing in digital media (role / product):

 

______________________________________________________________________

 

______________________________________________________________________

 

What else would you like the instructor to know: _______________________________

 

I, the undersigned, have received the syllabus for this course:

 

________________________________________________________

Signature Date

 

 

Rules and Guidelines for ALL Digital Media Center Labs

Note: Upon first offense of any of the following rules, a faculty member or Graduate

Assistant may ask you to leave the building. Upon second offense, your lab ID will be

revoked resulting in a loss of after hours and weekend lab privileges.

 

• No food or drink in the lab.

• No chewing tobacco or tobacco products.

• Do not give out your ID card or a password to log onto the machines.

• Put all your files in F:/students/class#/your name. Any files in the wrong directory will be deleted. The /temp directory will be deleted on Saturdays. Files in the /students directory that are two weeks old will be cleared, so please back up all files you want to keep. Note: This is subject to change by the lab system administrator.

• Students are prohibited to install any software on any of the machines.

• Please do not change desktop settings or screen savers.

• Please do not ever turn a machine off.

• No pornographic or sexually explicit material viewed in the lab, or loaded onto computers or file server/sharing folders.

• Please promptly report any problem to your professor, graduate assistant and/or write the problem on the new problem report sheets taped to the top of each monitor.